1st Assistant Director
| Bob Villinger | 209 | credits |
| Bob Gillow | 190 | credits |
| Ian Kenny | 116 | credits |
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Associate Producer
| Ian Smith | 310 | credits |
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Audio
| David Shellard | 124 | credits |
| Keith Harper | 122 | credits |
| David Keates | 112 | credits |
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Camera
| Ken Mulholland | 618 | credits |
| Peter Hind | 436 | credits |
| Wayne Lavender | 371 | credits |
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Casting
| Jan Russ | 284 | credits |
| Maura Fay | 172 | credits |
| Vicki Popplewell | 84 | credits |
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Casting Co-ordinator
| Jane Daniels | 44 | credits |
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Continuity
| Jane Lindsay | 12 | credits |
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Design
| Geoff Hatton | 394 | credits |
| Ian Costello | 234 | credits |
| Janet Latham | 96 | credits |
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Director
| Kendal Flanagan | 112 | credits |
| Steve Mann | 67 | credits |
| Leigh Spence | 55 | credits |
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Director's Assistant
| Jane Lindsay | 105 | credits |
| Julie Bates | 104 | credits |
| Andrea Parkes | 70 | credits |
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Executive Producer
| Godfrey Philipp | 82 | credits |
| Ian Bradley | 60 | credits |
| Reg Watson | 4 | credits |
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Fight & Stunt Co-ordinator
| Glenn Ruehland | 73 | credits |
| Bill Stacey | 8 | credits |
| Dennis Hunt | 1 | credit |
| Chris Anderson | 1 | credit |
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Floor Manager
| Ray Lindsay | 676 | credits |
| Bob Villinger | 147 | credits |
| Bob Donaldson | 122 | credits |
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Lighting
| Lynden Matheson | 171 | credits |
| Rodney Harbour | 162 | credits |
| Keith Ferguson | 105 | credits |
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Make-up/Hairdresser
| Vivienne Rushbrook | 283 | credits |
| Gilbert Broadway | 163 | credits |
| Carolyn Garbett | 141 | credits |
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Music Editor
| Tony Kolodziejczyk | 266 | credits |
| Tony Osicka | 172 | credits |
| John Clifford White | 156 | credits |
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Post Production
| Gail Meillon | 56 | credits |
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Producer
| Marie Trevor | 198 | credits |
| Philip East | 138 | credits |
| Ian Bradley | 134 | credits |
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Production Assistant/Co-ordinator
| Fay Rousseaux | 290 | credits |
| Linda Wilson | 108 | credits |
| Roslyn Tatarka | 72 | credits |
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Production Manager
| Martin Brook | 180 | credits |
| Valerie Unwin | 166 | credits |
| Gail Meillon | 96 | credits |
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Props
| Stephen Walsh | 137 | credits |
| Mark Collins | 130 | credits |
| Peter O'Connor | 109 | credits |
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Script Editor
| Ian Smith | 273 | credits |
| Fay Rousseaux | 84 | credits |
| Anne Lucas | 64 | credits |
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Set Dresser
| John Busija | 135 | credits |
| Peter O'Connor | 89 | credits |
| Tony Jackett | 70 | credits |
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Special Effects
| Vivienne Rushbrook | 11 | credits |
| Noel Parker | 7 | credits |
| Brian Pierce | 3 | credits |
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Staging
| Terry Wilcock | 309 | credits |
| Ian Kenny | 116 | credits |
| Graham Davies | 108 | credits |
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Story Editor
| Coral Drouyn | 138 | credits |
| Bevan Lee | 70 | credits |
| Gwenda Marsh | 30 | credits |
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Storyliner
| Dave Worthington | 315 | credits |
| Coral Drouyn | 196 | credits |
| Andrew Kennedy | 182 | credits |
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Technical Director
| Howard Simmons | 380 | credits |
| Barry Shaw | 222 | credits |
| Jack Brown | 171 | credits |
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Videotape
| Keith Elliott | 154 | credits |
| Paul Pozzobon | 105 | credits |
| Barrye Dickinson | 87 | credits |
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Vision Mixer
| Jenny Williams | 332 | credits |
| Beverley Hare | 84 | credits |
| Heather McKenzie | 78 | credits |
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Wardrobe
| Jan Petersen | 200 | credits |
| Jennifer Carmen | 128 | credits |
| Kim Sharp | 96 | credits |
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Writer
| Coral Drouyn | 63 | credits |
| Ian Smith | 52 | credits |
| Dave Worthington | 52 | credits |
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